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    极度恐慌1983

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      PANIC BEATS begins with a totally nude woman with welts on her body, running through a misty forest full of decayed skeletons. A knight on horseback is chasing her, and we soon learn that he is Alaric de Marnac (a wicked character Naschy first created for HORROR RISES FROM THE TOMB), viciously killing her for her unfaithful ways. After the credits role, we are taken to the present where a descendent of Marnac named Paul (Naschy) is married to the wealthy Geneviève (Julia Saly) was has some serious heart problems. Paul decides to take her to his ancestral home in the country for some peace and quiet, but the superstitious-filled setting opens a Pandora’s Box of terrible occurrences.  We soon discover that Paul is a real son-of-a-bitch who plans to scare his wife to death, planning to control her fortune and continue his secret affair with seductive bad girl Mireille (Silvia Miró), who happens to be the niece of the tarot card-reading housekeeper, Mabile (Lola Gaos). Paul’s malevolent scheme works, but he still has to worry about an additional money-hungry mistress (this guy really gets around!), the unforgiving Mabile, as well as new fianceé Mireille who might be hiding a thing or two herself. More grisly murders follow, and the ghost of Marnac returns from hell to punish the most despicable human character in the film.  PANIC BEATS was also written by Naschy (under his real name Jacinto Molina) who injects the film with an old-fashioned spooky house motif, beefed up with a modern movie sense of violence and sexuality. The film offers nothing too innovative storywise, and even Naschy admits on the disc’s extras that it was partly inspired by GASLIGHT and REBECCA, but he seems to just toss in a hodgepodge of exploitation and horror ingredients, while delivering a stylish and enjoyable effort with a number of twists and some genuinely chilling moments. The camera shots and lighting are both effective, and there's even does a cool set-up (much like what Freddie Francis did in THE SKULL and THE CREEPING FLESH) where we see the point of view of Marnac through his dark helmet as he stalks his female prey. Graphically, we are exposed to everything from a plate of bloody eyeballs, to victims being beaten relentlessly with the various Medieval weapons affixed on the house’s walls (for example, someone is axed in the stomach, followed by the soaked entrails oozing out!). Naschy’s most frequent 1980s leading lady, Julia Saly, is not given much to do, but with her offbeat looks, is a nice presence nonetheless. The prominent female star here is Silvia Miró who is seen in the buff frequently, and she certainly makes for some well-appreciated Euro starlet eye candy. Naschy himself is very good in the film, putting on conniving facades, carrying a number of women on a string, being a real malicious bastard, and for the umpteenth time in his career, playing two roles in a one film.  http://www.dvddrive-in.com/reviews/n-s/panicbeats8283.htm

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    • 猪头妖怪2024-2-27 07:40:58
      《极度恐慌1983》这个题材是绝好的,可惜改编得太不节制,最后全成了套路,失去了绝大部分的可信度。其实就应该照实。
    • 皱起2024-2-8 07:40:58
      我希望自已也是一颗星星 如果我会发光,就不必害怕黑暗 如果我自己是那么美好,那么一切恐惧就可以烟消云散 于是我开始存下了一点希望 如果我能做到,那么我就战胜了寂寞的命运 我终将在荒岛迎接黎明,《极度恐慌1983》太好看了。
    • 只是存在2024-1-28 07:40:58
      《极度恐慌1983》剧本的问题不小,相对于《公民凯恩》和《社交网络》似的交织叙事,这里显得太过割裂,没能实现这种结构应该能带来的效果。涉及人物太多,又没有写好群戏的功力,导致废笔不少,让人不知所云。场景功能性单一且生硬,恨不得直接告诉观众这一场是想表达什么。
    • RowenLee2024-07-9 07:40:58
      抱歉,进入不了,《极度恐慌1983》和人都是。
    • 发条饺子2024-5-10 07:40:58
      最意外的是,在《极度恐慌1983》里竟然看到某种波伏娃式的冷酷与绝望——一个完美女性可以拥有一切,美貌,力量,智慧,财富,时间……却偏偏要一次次与她的爱人告别。她得到的永远和失去一样多。
    • 哼哼.floweray2024-8-17 07:40:58
      用心了,《极度恐慌1983》不错
    • 巨米雨2024-11-9 07:40:58
      有点失望 《极度恐慌1983》剧情真没啥亮点 看到旁边哭的稀里哗啦我腔都不敢开
    • 陀螺凡达可2024-12-12 07:40:58
      《极度恐慌1983》最好的台词最好的表演!我等粗人实在不配评价这部电影,看完只会默默流泪,挠心挠肺了半天形容不出一分她的美好,就像那些只会喂猪,不解风情的沙雕。
    • 就这样醒到天黑2024-4-9 07:40:58
      这几年总算没白等,导演幸苦了辛苦了!《极度恐慌1983》太好看了!

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