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      The 2-part feature-length documentary "25 ze šedesátých aneb Československá nová vlna" ("25 from the Sixties, or Czechoslovak New Wave") presents a complex view of the phenomenon of Czech and Slovak New Wave in the cultural and social context of the 60's. 25 fundamental films commented on by their makers and film historians offer the viewer a dramatic insight into the golden era of Czechoslovak cinema.  The documentary is a follow-up on the biographical TV series "Zlatá šedesátá" (Czech Television, 2009), based on the filmmakers' personal remembrances. As opposed to the series, the documentary presents the Czech and Slovak cinema of the 60's in the national, international and also inter-generational context. It describes the ways the New Wave crossed the existing artistic boundaries, how it variegated the world cinema and where it left an ineffaceable impression. It analyses the work of filmmakers in a state-funded cinema, under the pressure of ideological demands on one hand and commerce on the other. It presents the dilemma of a man - an artist - on the edge between contradictory social systems and incongruous aesthetic requirements. The existential drama of a man acting freely and at the same time mercilessly crushed by the wheels of the system.  The 60's are, from this point of view, mostly an era of fortunate historical constellation, not only in - at that time - Czechoslovakia, but on a world-wide scale. An era of expectations and upswing, but also an era of exemplary human decisions and artistic pursuit. Those are some of the things "25 ze šedesátých aneb Československá nová vlna" wants to commemorate.  Part 1 comments on:  ■"Slnko v sieti" ("The Sun in a Net," 1962) by Štefan Uher  ■"Konkurs" ("Audition," 1963) by Miloš Forman  ■"Křik" ("The Cry," 1963) by Jaromil Jireš  ■"Postava k podpírání" ("Joseph Kilian," 1963) by Pavel Juráček & Jan Schmidt  ■"Každý den odvahu" ("Courage for Every Day," 1964) by Evald Schorm  ■"Démanty noci" ("Diamonds of the Night," 1964) by Jan Němec  ■"Intimní osvětlení" ("Intimate Lighting," 1966) by Ivan Passer  ■"Ať žije republika" ("Long Live the Republic," 1965) by Karel Kachyňa  ■"Obchod na korze" ("The Shop on Main Street," 1965) by Ján Kadár & Elmar Klos  ■"Romance pro křídlovku" ("Romance for Bugle," 1966) by Otakar Vávra  ■"Sedmikrásky" ("Daisies," 1966) by Věra Chytilová  ■"Ostře sledované vlaky" ("Closely Watched Trains," 1966) by Jiří Menzel  Part 2 comments on:  ■"Kristove roky" ("The Prime of Life," 1967) by Juraj Jakubisko  ■"Stud" ("Shame," 1967) by Ladislav Helge  ■"Svatba jako řemen" ("A Hard and Fast Marriage," 1967) by Jiří Krejčík  ■"Drak sa vracia" ("Dragon's Return," 1967) by Eduard Grečner  ■"Marketa Lazarová" ("Marketa Lazarová," 1967) by František Vláčil  ■"Spřízněni volbou" ("Elective Affinities," 1968) by Karel Vachek  ■"Spalovač mrtvol" ("The Cremator," 1968) by Juraj Herz  ■"Zabitá neděle" ("Squandered Sunday," 1969) by Drahomíra Vihanová  ■"Pasťák" ("The Decoy," 1968) by Hynek Bočan  ■"Případ pro začínajícího kata" ("Case for a Rookie Hangman," 1969) by Pavel Juráček  ■"322" ("322," 1969) by Dušan Hanák  ■"Slávnosť v botanickej záhrade" ("Celebration in the Botanical Garden," 1969) by Elo Havetta  ■"Všichni dobří rodáci" ("All My Good Countrymen," 1968) by Vojtěch Jasný

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    • 猪头妖怪2023-2-16 14:18:09
      《捷克斯洛伐克60年代新浪潮电影二十五面体》这个题材是绝好的,可惜改编得太不节制,最后全成了套路,失去了绝大部分的可信度。其实就应该照实。
    • 皱起2023-2-8 14:18:09
      我希望自已也是一颗星星 如果我会发光,就不必害怕黑暗 如果我自己是那么美好,那么一切恐惧就可以烟消云散 于是我开始存下了一点希望 如果我能做到,那么我就战胜了寂寞的命运 我终将在荒岛迎接黎明,《捷克斯洛伐克60年代新浪潮电影二十五面体》太好看了。
    • 只是存在2023-1-28 14:18:09
      《捷克斯洛伐克60年代新浪潮电影二十五面体》剧本的问题不小,相对于《公民凯恩》和《社交网络》似的交织叙事,这里显得太过割裂,没能实现这种结构应该能带来的效果。涉及人物太多,又没有写好群戏的功力,导致废笔不少,让人不知所云。场景功能性单一且生硬,恨不得直接告诉观众这一场是想表达什么。
    • RowenLee2023-05-9 14:18:09
      抱歉,进入不了,《捷克斯洛伐克60年代新浪潮电影二十五面体》和人都是。
    • 发条饺子2023-5-10 14:18:09
      最意外的是,在《捷克斯洛伐克60年代新浪潮电影二十五面体》里竟然看到某种波伏娃式的冷酷与绝望——一个完美女性可以拥有一切,美貌,力量,智慧,财富,时间……却偏偏要一次次与她的爱人告别。她得到的永远和失去一样多。
    • 哼哼.floweray2023-8-17 14:18:09
      用心了,《捷克斯洛伐克60年代新浪潮电影二十五面体》不错
    • 巨米雨2023-11-9 14:18:09
      有点失望 《捷克斯洛伐克60年代新浪潮电影二十五面体》剧情真没啥亮点 看到旁边哭的稀里哗啦我腔都不敢开
    • 陀螺凡达可2023-12-12 14:18:09
      《捷克斯洛伐克60年代新浪潮电影二十五面体》最好的台词最好的表演!我等粗人实在不配评价这部电影,看完只会默默流泪,挠心挠肺了半天形容不出一分她的美好,就像那些只会喂猪,不解风情的沙雕。
    • 就这样醒到天黑2023-4-9 14:18:09
      这几年总算没白等,导演幸苦了辛苦了!《捷克斯洛伐克60年代新浪潮电影二十五面体》太好看了!

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