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      Get Smart, Again! is a made-for-TV movie based on the 1965-1970 NBC/CBS television series, Get Smart!, which originally aired February 26, 1989 on ABC (ironically, the network that rejected the original pilot for the Get Smart! TV series). It has subsequently been released twice on DVD by different publishers. In the video release of the movie, the background canned laughter (pre-recorded laughter added later to the soundtrack), is absent.  Overview  Differences between Get Smart, Again! and The Nude Bomb  The film is not as well known as the earlier theatrical release, The Nude Bomb, also based on Get Smart, but was better received by fans of the original program. Unlike The Nude Bomb, which featured only the characters of Smart, The Chief (with Dana Elcar replacing the deceased Edward Platt), Agent 13 (Dave Ketchum in the series, portrayed by Joey Forman in The Nude Bomb, who had played the character Harry Hoo in the series) and Larrabee, Get Smart, Again! featured all of the surviving original cast reprising their roles. The tone and feel of Get Smart, Again! were also closer to that of the original series. Get Smart, Again! was written and produced by Leonard Stern, who was a producer of the original series. One element of the Nude Bomb ignored completely was the renaming of CONTROL as PITS in the earlier film; although as CONTROL is said to have disbanded in the 1970s, it's not impossible for both CONTROL and PITS to exist within the continuity of the franchise.  Barbara Feldon's character, 99, makes a reference to T.H.R.U.S.H., the evil organization in The Man From U.N.C.L.E., a show on which Feldon guest-starred.  Theme music  Get Smart, Again! also reprises the TV program's original theme music and opening credit sequence, which were absent from The Nude Bomb. In this case, however, the corridors were covered in cobwebs and the phone-booth elevator that led to CONTROL headquarters worked in reverse, causing Smart to be thrown to the top of the booth.  Synopsis  Maxwell Smart, acting as a protocol officer since CONTROL was disbanded in the early 1970s, is reactivated as a counterintelligence agent by Commander Drury (Kenneth Mars) of the United States Intelligence Agency. KAOS, long considered defunct, has been revitalized by a corporate takeover. Its first scheme involves turning a forgotten American scientist and using his weather control machine to extort $250 billion US dollars from the United States Government. Drury, convinced that only Smart has the expertise to combat KAOS, gives him carte blanche to reactivate former CONTROL agents to assist him in his task. Along with Drury's bumbling aide, Beamish (Steve Levitt), Smart recruits Larrabee (who, believing that he was under orders from Richard Nixon to stay at his post until relieved, has been living in his office in the now-abandoned CONTROL headquarters tending his office plants), Agent 13, Hymie the Robot (now employed as a crash test dummy) and ultimately, his wife 99 (Barbara Feldon) to find the security leak that allowed the scientist to defect, locate the weather machine and disarm it. They are opposed by KAOS moles within the USIA, who are able to predict Max's every move with the aid of stolen copies of 99's unpublished memoirs. The visible head of the KAOS scheme is revealed to be Max's old nemesis, Siegfried, but he is merely the agent of a higher executive whom even he has never met. This higher power is finally revealed as Nicholas Demente (Harold Gould), 99's publisher, who intends not only to extort the money but also to create weather that will keep people eternally indoors and interfere with television reception, forcing millions to entertain themselves by buying Demente's books and publications.  Comedic style  The script is littered with typical Maxwell Smart verbal gags, and large portions of the plot serve only as set ups for Get Smart!-style sight gags (such as a duel between Max and a KAOS hitman using remote controlled file cabinet drawers). The film also features the array of bizarre gadgetry and political satire that were hallmarks of the original series. The cone of silence has been superseded by "Hover Cover" where a meeting is held on a rooftop with three helicopters hovering overhead. The failure of Hover Cover leads to the development of "The Hall Of Hush",a soundproof room where words print out silently in mid air, a success at first until the words begin to print forward, backward and on top of each other.  Max changes the well known quote "Dr. Livingstone I Presume" to "Dr. Hottentot I Presume".  1995 revival  The relative success of the film prompted the development of a short-lived 1995 weekly series on FOX, also titled Get Smart, with Don Adams and Barbara Feldon reprising their characters as their bumbling son, Zach (Andy Dick), becomes CONTROL's star agent.  原班人马啊,好想看。TAT

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    • 猪头妖怪2023-2-18 22:15:36
      《糊涂侦探归》这个题材是绝好的,可惜改编得太不节制,最后全成了套路,失去了绝大部分的可信度。其实就应该照实。
    • 皱起2023-2-8 22:15:36
      我希望自已也是一颗星星 如果我会发光,就不必害怕黑暗 如果我自己是那么美好,那么一切恐惧就可以烟消云散 于是我开始存下了一点希望 如果我能做到,那么我就战胜了寂寞的命运 我终将在荒岛迎接黎明,《糊涂侦探归》太好看了。
    • 只是存在2023-1-28 22:15:36
      《糊涂侦探归》剧本的问题不小,相对于《公民凯恩》和《社交网络》似的交织叙事,这里显得太过割裂,没能实现这种结构应该能带来的效果。涉及人物太多,又没有写好群戏的功力,导致废笔不少,让人不知所云。场景功能性单一且生硬,恨不得直接告诉观众这一场是想表达什么。
    • RowenLee2023-05-9 22:15:36
      抱歉,进入不了,《糊涂侦探归》和人都是。
    • 发条饺子2023-5-10 22:15:36
      最意外的是,在《糊涂侦探归》里竟然看到某种波伏娃式的冷酷与绝望——一个完美女性可以拥有一切,美貌,力量,智慧,财富,时间……却偏偏要一次次与她的爱人告别。她得到的永远和失去一样多。
    • 哼哼.floweray2023-8-17 22:15:36
      用心了,《糊涂侦探归》不错
    • 巨米雨2023-11-9 22:15:36
      有点失望 《糊涂侦探归》剧情真没啥亮点 看到旁边哭的稀里哗啦我腔都不敢开
    • 陀螺凡达可2023-12-12 22:15:36
      《糊涂侦探归》最好的台词最好的表演!我等粗人实在不配评价这部电影,看完只会默默流泪,挠心挠肺了半天形容不出一分她的美好,就像那些只会喂猪,不解风情的沙雕。
    • 就这样醒到天黑2023-4-9 22:15:36
      这几年总算没白等,导演幸苦了辛苦了!《糊涂侦探归》太好看了!

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